‘UGLY’ Stays True To Its Title, But Is Such An Anti-Climax

Having screened at the Directors’ Fortnight section at the 2013 Cannes Film Festival and received rave reviews, there is obviously a huge expectation from a film like ‘Ugly’, directed by Anurag Kashyap.

Ugly Theatrical Poster - 2013

Ugly Theatrical Poster – 2013

And to be honest and really honest, the efforts of the ace director need to be appreciated for bringing out such realistic performances from almost all its lead characters. It is rare that an Indian film (the last I remember was Chandni Bar (Madhur Bhandarkar) and Kashyap’s Black Friday) is so realistic in its treatment and execution. ‘Ugly’ is probably one of those few films that breaks the rules of the typical Bollywood style of filmmaking.

Yet, in spite of being extremely realistic, hatke in style and having some really nice cinematography, the experience is merely satisfactory.

Kali (excellently played by Anshika Srivastava) gets kidnapped when her father Rahul (Rahul Bhatt) leaves her inside his car when he goes to collect a document from his friend. Rahul’s friend Chaitanya (Vineet Singh) tells him that his daughter is missing. When Rahul comes to the police station to lodge a formal complaint, he is confronted by Inspector Jadhav (Girish Kulkarni) who finds out that Kali is Shalini (Rahul’s divorced wife/Tejaswini Kolhapure) and ACP Shoumik Bose’s (Ronit Roy) daughter. Kali’s kidnapping gives Shoumik a chance to take revenge from Rahul for an incident of the past and he leaves no stone unturned to find his daughter back. And this is where ‘Ugly’ is ugliest in terms of Kashyap’s storytelling.

However, certain scenes in the film seem overstretched, especially when Inspector Jadhav questions Rahul over his ‘filmy’ name. While it infuses a laugh with its natural humour, it stretches a tad too long. Similarly, a scene where Chaitanya is interrogated in prison is reminiscent of a scene in Black Friday. And the biggest disappointment is the climax. Watch it yourself to experience!

For all through the 1 hour and 50 minutes, ‘Ugly’ treads along with certain twists and turns and keeps one at the edge of their seat. But it is the last ten minutes where ‘Ugly’ is a complete anti-climax.

‘Ugly’ stays true to its title and offers one plenty to ponder. Anurag Kashyap weaves magic with his actors, but sadly tells a story with too many loose ends. A little back story of the characters wouldn’t have done any harm. While Anurag Kashyap did release a five-minute short film ‘Kali-Katha’ (Watch it on YouTube) which gives a glimpse of Rahul, Shalini and Chaitanya’s character, Shoumik’s back story isn’t unveiled at all. At the same time, certain disjointed plot points leave one with a little more to think.

There are no white characters and no black characters in ‘Ugly’. Each character has shades of grey. And this keeps the thrill factor of the film alive.

Girish Kulkarni as Inspector Jadhav gets a perfect launch in Hindi Cinema. Having directed and acted in several National-award winning films in Marathi, Girish proves his mettle as an actor for the first time in Hindi cinema and he doesn’t disappoint a bit. It’s a terrific performance that deserves more than just applause.

Rahul Bhatt who was last seen in a dud called ‘Nayee Padosan’ makes a comeback after almost twelve years in a role that seemed tailor made for him.

Tejaswini Kolhapure as Shalini gets a role that will surely be talked about. Siddhant Kapoor is good in a small role.

Vineet Singh (Shorts/Bombay Talkies-Murabba) is the surprise package of ‘Ugly’. For many who would have seen him in a restrained role, be prepared to get surprised.

But ultimately ‘Ugly’ for me is all about Ronit Roy’s act as Shoumik Bose. The actor, surely has had a strong second innings in Bollywood as compared to his early days. After working with Anurag Kashyap in Udaan as the abusive father, Ronit Roy once again delivers a performance that speaks volumes of him as an actor. With less words and more expressive eyes, this one is surely a performance worthy of some awards.

And finally Anurag Kashyap. While many claim to say that the director just lost his way post Gangs Of Wasseypur II (which was his most commercial venture till date), the filmmaker returns to his roots of making dark, gritty films. While ‘Ugly’ might not be his best since Black Friday, it is surely a well-made film. A diehard Anurag Kashyap fan may just not be able to miss this one. And being an admirer of his work, I look forward with much eagerness for ‘Bombay Velvet’!

Final Verdict: ‘Ugly’ is a gripping film that stays true to its title. But in the end, it is such an anti-climax!

 

Rating: ***